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The rally brought into the open the movement’s racist core—not the winking shit-posters and fuzzy-faced geeks wearing obscure-internet-joke T-shirts, but a small army of unapologetic white nationalists.

Anyone who flirted with the alt-right now understood what they were pledging allegiance to.

“We must force [them] to dig more, until the rest of society ain’t going anywhere near that shit.” In April, when the pro-Trump writers Mike Cernovich and Cassandra Fairbanks were photographed in the White House press-briefing room making “okay” signs, Emma Roller, a reporter at Fusion, wrote on Twitter that the writers were “doing a white power hand gesture.” Fairbanks sued Roller for defamation.

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A true believer drove his Dodge Challenger into a crowd of counterprotesters and was charged with killing a woman named Heather Heyer.

Could it be that these “ironic” young men had meant what they were saying all along?

To answer this question—and to comprehend the powerful and unexpected effect Charlottesville is having on the alt-right itself—we need to understand what the movement is, and what it is not.

Unlike old-fashioned, monolithic political movements, the alt-right is a fractious, fluid coalition comprising bloggers and vloggers, gamers, social-media personalities, and charismatic ringleaders like Spencer, who share an antiestablishment, anti-left politics and an enthusiasm for the political career of Donald Trump.

In an interview, Richard Spencer described these figures as a gift from the left to the alt-right. Then Charlottesville happened, and it became clear what, exactly, it meant to be “with the Fascists.” The useful idiots of the less extreme “alt-lite” tier of the new right had successfully deployed irony to confound the alt-right’s critics.

But they had also given cover to its most radical elements.Older theorists who predate the 2016 election—men such as Jared Taylor of the “white advocacy” organization American Renaissance and the neoreactionary Curtis Yarvin, who writes under the name Mencius Moldbug—exert influence.But what is new, and unusual, about today’s far right is the large number of young people, most of them men, who have been drawn into its orbit—or, as they would put it, “red pilled.” The metaphor comes from The Matrix, the dystopian science-fiction movie in which the protagonist, Neo, is offered a red pill that allows him to see through society’s illusions and view the world in its true, ugly reality.Daryush Valizadeh, known as “Roosh V,” launched his writing career with the Bang series of books, many of them essentially travel guides for pick-up artists.His site, Return of Kings, was at first dedicated to crude misogyny and pick-up advice.of the so-called alt-right from the dark recesses of the internet into the American mainstream was at first more baffling than shocking.

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